Module lib.intonation
"just" some intonation tables
| normal () |
small variation of ptolemaic 5-limit with closer minor 7th. |
| ptolemy () |
ptolemaic 12-tone (5-limit) - very similar except for kinda weird m7 |
| overtone () |
ben johnston's overtone scale
identical to jeff snyder's "otonal" scale |
| undertone () |
subharmonic mirror of the overtone scale
jeff calls this "utonal" after partch |
| lamonte () |
lamonte young's 'well-tuned piano' (very eccentric) |
| zarlino () |
gioseffo zarlino's 16-tone (5-limit) |
| partch () |
harry partch 43-tone (11-limit, plus some) |
| gamut () |
finally, jeff snyder's full 168-tone gamut
see his disseration for reference:
http://scatter.server295.com/full-dissertation.pdf |
-
normal ()
-
small variation of ptolemaic 5-limit with closer minor 7th.
taking cue from jeff snyder and calling this "normal" since it is most commonly used.
also known as "Duodene" by Alexander Ellis (19th c.)
Returns:
table
-
ptolemy ()
-
ptolemaic 12-tone (5-limit) - very similar except for kinda weird m7
Returns:
table
-
overtone ()
-
ben johnston's overtone scale
identical to jeff snyder's "otonal" scale
Returns:
table
-
undertone ()
-
subharmonic mirror of the overtone scale
jeff calls this "utonal" after partch
Returns:
table
-
lamonte ()
-
lamonte young's 'well-tuned piano' (very eccentric)
Returns:
table
-
zarlino ()
-
gioseffo zarlino's 16-tone (5-limit)
Returns:
table
-
partch ()
-
harry partch 43-tone (11-limit, plus some)
Returns:
table
-
gamut ()
-
finally, jeff snyder's full 168-tone gamut
see his disseration for reference:
http://scatter.server295.com/full-dissertation.pdf
Returns:
table